- Th. Carlyle’s Vision of Heroism and Moral Values
- Moral Virtue, Beauty and Art in John Ruskin’s Works
- Post-Romantic Voices in Victorian Poetry (M. Arnold, A. Tennyson)
- A. Tennyson’s Contemplation of Life and Death in his Poetry
- Robert Browning and the Search for Content and Form (his dramatic monologues)
- Robert Browning’s Men and Women
- Romanticism Revisited (the Pre-Raphaelite Movement)
- Paganism and Musicality in A. C. Swinburne’s Verses
- G. M. Hopkins’s Prosodic Techniques
- G. M. Hopkins’s Vision of God and Power
- The Condition of England Novels (Ch. Dickens’s Hard Times, E. Gaskell’s North and South, B. Disraeli’s Sybil)
- Ch. Dickens’s Vision of Childhood in his Novels
- Ch. Dickens’s Critique of Victorian Institutions in his Novels
- W. M. Thackeray’s Carnival of Human Vices in Vanity Fair
- The Condition of the Woman in the Victorian Novel (the case of Ch. Brontë’s and G. Eliot)
- Middlemarch as Microcosm of Victorian England
- G. Eliot’s Typology of Characters in Middlemarch
- The Conflict between Soul and Mind (Passion and Reason, Passion and Intellect) in Jane Eyre and Middlemarch
- Wuthering Heights as Drama of (Self)Destruction
- Visions of Man, Nature and Outer Order in Wuthering Heights
- The Condition of Man in Th. Hardy’s Novels
- Th. Hardy’s Nature Symbolism in his Novels
- The Author and the Literary Text in the Victorian Novel
- Victorian England and the condition of England / industrial novels as representations of Industrial revolution and Utilitarianism